These short stories mostly deal with everyday occurrences, seemingly insignificant experiences and perceptions. Their sophisticated sensibilities reveal a rich existence, a deep sense of every quotidian moment. They are also very readable, devoid of any pomposity or exultation, often tinged with irony, dealing with such experiences as illness, physical fragility, loneliness, inability to pursue stable relationships, the burden of domestic chores, and so on. In ten of her best essay-stories, Giedra Radvilavičiūtė travels between the ridiculous and the sublime, the everyday and the extraordinary. In the place of plot, which the author claims to have had “shot and buried with the proper honors,” the reader finds a dense, subtly interwoven structure of memory and reality, banalities and fantasy, all served up with a good dollop of absurdity and humor.
Some of the stories deal with the situation of a middle-aged woman, living with her daughter in a small flat in the Old Town of Vilnius; they look deep into everyday events, but at the same time the exquisite literary quality of the text contributes to a rewarding reading experience.
One of the segments in this book, ‘The Allure of the Text’ (which was included in the Dalkey Archive Press anthology, Best European Fiction 2010), lays out five criteria for a good literary work, which the author then goes on to illustrate in the unfolding story.